Jude Eden: In the Key of J

Karmic Fury Records reviews Jude Eden's solo album In the Key of J

This Saturday, January 10th, is the much-anticipated release of cellist Jude Eden’s debut album In the Key of J. She will be performing live at Fermental at 7pm, at which time you can also pick up a copy of the album. For more details, check out the Facebook event.

Best known locally for being half of the duo Upstarts and Rogues (we talked about them in KFR Live #8), this is Eden’s first solo recording effort. The songs are mostly instrumental, usually with melodies layered over rhythmic plucking. The beauty of songs without lyrics is that the listener is free to go wherever she or he chooses, to interpret the music based on the emotion it invokes, with no verbal guidelines from the creator. I recommend listening to this album when you have time to let your mind wander and go on an adventure, undistracted by the “real” world.

Jude Eden In the Key of JIn the Key of J opens with “Cascades,” a good introduction to Eden’s style of sonorous melody layered over percussive plucking. The second track, “Spy vs. Spy,” might be my personal favorite. Eden cleverly utilizes her instrument for a variety of effects, from resonating knocks to sneaky slides in and out of some of the notes. I really got a sense of mystery, tiptoeing around, the possibility of danger. “Morning Glory” stands out as the brightest and most cheerful song on a largely brooding album, invoking images of gardens, meadows, and the fresh dew of a new day. “Faye’s Voyage” is another example of great effects, including some nice scratching noises. There’s a sense of symmetry, with effects at the beginning and the end, and dual melodies interlacing throughout the body of the song. I sort of felt like I was on a boat, which made the segue into “Whales” make a lot of sense. The plucking fades in and out like the pulsing of sonar, with a strong and smooth melody layered nicely over it. Eden gives this song space to breathe, with an easy melody that doesn’t feel forced to cover too much ground. “Witness” is a short and sinister-sounding track with no background plucking, implying a singular voice carrying a lot of emotion and possibly some trauma.

I suppose “Canon” might technically be considered to be a cover song, since it is based on Pachelbel’s “Canon in D.” However, Eden gets a ton of points for creativity. I expected multiple layers of cello, which is what happens eventually. Totally unexpected was Eden’s sultry yet understated voice added into the mix, the only time she actually sings on the album. Her two instruments are layered like a musical lasagna: Cello, cello, vocals, vocals, cello, vocals, etc. The breathy vocal harmonies interwoven with the cello melodies really make this arrangement different from any heard before. By the time the song reaches its crescendo, the effect is that of a choir of singers on one side and a choir of cellos on the other. The wild ride wraps up with a solitary cello. You’ve heard this song before but you haven’t heard THIS song before.

“La Ramblas” sounds like the soundtrack to someone getting ready for a duel or a mission or at least walking down the street meaningfully, possibly on a hot day. “Something in the Way” is a brooding interlude that marches deliberately. In “The Seafarer” Eden uses reverb and delay to make the cello actually sound like water. When the dual high and low melodies kick in, I do feel like I’m on a journey on the sea.

The album ends with a cacophonous head trip of a song called “Catalyst.” This is the only other time Eden’s voice appears on the album, this time with spoken word. I’ve always enjoyed her lyrical freestyles performed live and don’t think a Jude Eden album would be complete without showing off her poetic prowess. There is so much going on in this song that I had a hard time deciding what to listen to. On the one hand, there is a whole toolbox of cello effects, from the sound of dripping water to a traffic jam of beautiful noise. And on the other hand there is Eden’s voice, both ominous and playful, echoing amid the futuristic orchestra. Among the lyrical gems are lines such as “Darkness is the catalyst for my creative catharsis.” The line she repeats as the song and album comes to a close could be a tagline for the album itself: “A new way into the same old day.”

Pick up a copy of In the Key of J at Eden’s live show or order online at inthekeyofj.com.

 

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KFR Live in Wilmington #8

Featuring Upstarts & Rogues at Fermental and Ironhead at Reggie's 42nd St Tavern

We at KFR embrace all kinds of music and this Friday night we found ourselves in two very different concert atmospheres, just to mix it up.

First, we caught Upstarts & Rogues at Fermental in the Ogden area. Fermental features live music in the beer garden every Friday and Saturday night. The great thing about this venue (in addition to the free Friday night wine tastings, great selection of craft beer, and the awesome outdoor seating area) is that they do live music early. By 8:00, the show is in full swing and they usually wrap up around 10 or so, plenty of time to get out to see other bands or get home at a reasonable hour.

Jude Eden of Upstarts and Rogues

Jude Eden of Upstarts and Rogues

Upstarts & Rogues consists of Jeff Sanchez (of local jam band The Clams) on guitar and Jude Eden on cello, with both members contributing vocals. Their voices complement each other nicely, and the beautiful guitar/cello combination is something that isn’t seen everyday in the Wilmington music scene. Their live performances are an even balance of original songs and covers. Eden is known to launch into loop pedal cello improvisation, sometimes accompanied by her own style of spoken word poetry.  One of the great things about this duo is that they don’t hesitate to do their own thing. They improvise, they jam, they banter, and it somehow all makes sense.

Upstarts & Rogues released their studio debut “Twain Shall Meet” in 2012, with both members showing off their own style of songwriting. The recording is a good representation of what they sound like live, with a few additional instruments and studio effects thrown in.

Jeff Sanchez of Upstarts and Rogues

Jeff Sanchez of Upstarts and Rogues

One of the songs on the album that U&R performed live was “Micha’s Song,” a bluesy ode to friendship that transcends the sentimental and ruminates on the global effects of love: “I’m gonna write a song that sounds like what you mean to me…Cause if everyone had a little bit of what we have, there would be no war (and I’ve been to war), there would be no strife. I’m tellin you.” Eden’s soft and soulful voice delivers the lines in an understated way that exemplifies the meaning without forcing it.

We weren’t able to stay for the whole set, but we’re sure a few more of our favorite originals were in there. “Thought We Had a Deal” is a tune more in the classic rock vein in which Sanchez bemoans the failed promises and implicit understandings of a relationship and “Rebuttal in Blue” is Eden’s take on relentlessly trying to make a relationship work when it’s not meant to be.

Eden and Sanchez are both busy with other projects; Sanchez is in the middle of a busy season with The Clams and Eden is finishing up her first solo cello album, tentatively scheduled for release this fall. Catch one of Upstarts & Rogues’ rare live performances if you can, but in the meantime you can pick up a copy of “Twain Shall Meet” at upstartsandrogues.com.

Angela and Johnny Yeagher of Ironhead

Angela and Johnny Yeagher of Ironhead

The second part of the night took place across town at Reggie’s 42nd Street Tavern, a bar tucked away off Oleander Drive in midtown. From the outside, the bar looks like it might hold 20 people. However, the inside is actually quite vast and features several pool tables, a long bar, and a room with a stage for live music. We decided to check out a rock show to finish off our night. Doors were at 9pm, but we knew from experience that a rock show is only truly rock if it starts an hour past the time listed. We were right…ish. The first band took the stage well past 10:30. The bill featured 3 bands: Bully Pulpit from Charleston, SC; Richard Baccus & The Luckiest Girls from Raleigh, NC; and Ironhead from Wilmington. We admittedly came to review our hometown band but were glad that they played last, as we were treated to excellent sets from the first two bands. Rock and metal shows are harder and harder to come by in Wilmington, especially since the closing of beloved music venue The Soapbox in 2013, so it was a real treat to see three very talented bands really bringing it on a Friday night. If you’re into heavier rock or punk music, Reggie’s is one of the few places in town that really lets loose.

Ironhead consists of husband and wife badasses Johnny Yeagher (guitar and vocals) and Angela Yeagher (bass and vocals) as well as new drummer Mickey “Blue Eyes” Lewis. This band has been rocking since 2003 and it shows in the way they play — fearless, yet polished. They came out swinging on “Devastation Blues” and kept the energy high through the entire set. “It’s Self Destruction” featured intense lyrics such as “I’m drowning in a sea polluted. No one will rescue me…salvation’s not for me” while the instruments thundered in choreographed chaos in the background.

Angela and Johnny Yeagher of Ironhead

Angela and Johnny Yeagher of Ironhead

Lewis (of famed local band The Needles) is a fairly new addition in 2014, replacing Brad Ellington who is taking a break due to a new baby. Lewis is confident and charismatic and, with Angela Yeagher, forms one hell of a rhythm section. Yeagher’s bass playing is a lot of fun to watch and listen to, and this was made especially apparent when several fans yelled out and motioned for her to crank up her amp. She did, and it rocked. Johnny Yeagher is a skilled frontman, not just because he can spit out intense lyrics while playing intricate lead guitar licks, but because he does so in a way that makes it look easy. As musicians, we can attest to the fact that what he does is NOT easy. His guitar solos are clean, creative, and masterfully executed. We can’t wait to hear more from this band, and we won’t have to wait long. Ironhead has been busy in the studio laying down tracks for their third full length album, set for release in 2014. In the meantime, you can purchase their past releases via their Facebook Music Store or CDBaby.

Whatever music style you’re into, be sure to get out and support live and local music!